Lion Rock,The Citadel of Sigiriya

Nothing in Sri Lanka captures the imagination more than a 200 meter lump of granite that rises starkly above the flat central plains about three and a half hours' drive from Colombo.
Sigiriya (say see-gih-REE-yah) has it all -- a blood-stained history full of intrigue, astonishing frescos of bare-breasted maidens painted 15 centuries ago, a wall covered in graffiti that is more than 1,000 years old and, to top it all, Asia's oldest surviving landscape garden.
Dark deeds led to the establishment of Sigiriya as the center of the ancient Sinhalese Kingdom for a period of 18 years in the late 5th Century. The reign of King Dhatusena came to an abrupt end in 477 A.D. when his throne was seized by Kasyapa, his son by a wife of unequal birth. Kasyapa's action was prompted by the fear that his younger half-brother Mogallan, who was born of the anointed queen, would take over the throne. Kasyapa was convinced that his father was hiding a cache of treasure from him, and demanded that the King reveal where this wealth was hidden. Dhatusena took the young usurper to the bund of the Kalawewa, the greatest of his irrigation works, below which lived a venerable monk who had been his teacher and companion of many years. There, the old King pointed, was the sum of all his wealth. In a fit of pique, Kasyapa ordered the old man to be walled up alive and naked in his own tomb. Meanwhile, Mogallan survived an assassination attempt by his brother and fled to India to raise an army. Paranoia, arrogance and delusions of divinity drove Kasyapa to leave the traditional Sinhalese capital of Anuradhapura and construct his palace on the peak of Sigiriya Rock, a perfect lookout which could be easily defended; a huge lion was carved out of the rock. Seven years after ascending the throne, he moved into his new home.
Visitors to the palace entered via a stone stairway that took them into the lion's mouth and through its throat -- hence Sigiriya's alternative name, "Lion Rock." Only the lion's massive paws remain today, but they indicate how gigantic the rest of the carving must have been. A new stairway has been attached to the side of the rock to allow access to the summit, enabling visitors to stroll around the ruins of the palace and gasp at the panoramic views. Two water tanks, used for bathing and drinking, still fill with rain water, but in Kasyapa's day a sophisticated pumping system was used to fill the tanks from a lake at the foot of the rock.
Sigiriya is approached from the west over a moat that encloses an elaborate water garden that runs up to the foot of the rock. A stone stairway takes visitors past caves and hollows, where early Buddhist monks lived and worshipped, to a gallery half way up the rock which is enclosed by a three-meter high wall. Large sections of the so-called Mirror Wall are still intact, and is here that graffiti artists have inscribed their neat messages, many of them more than ten centuries old and some, alas, partially obscured by the scrawled initials of modern egoists. Most of the ancient graffiti refers to the Sigiriya Maidens, who are to be found up a spiral staircase about 14 meters above the Mirror Wall gallery in a natural pocket in the rock which has been protected for centuries from the rain by an overhang. Nobody knows who painted these amazing frescoes, but the Maidens testify to a highly advanced Sinhalese civilization at a time when Europe was in the Dark Ages.
It is not known whether Kasyapa knew of the existence of the beauties hidden just below his eyrie, but what is known is that the King came to a sticky end, perhaps deservedly. In 495, his brother Mogallan at last returned from India with an army of combined Chola and Sinhalese troops behind him and Kasyapa descended from his impregnable stronghold to meet him in battle. At a crucial stage in the battle, the King's elephant balked at a hidden swamp before him and momentarily turned aside, making his troops believe he was retreating. His army broke in confusion, leaving Kasyapa defenseless. Flamboyant to the last, he drew his dagger, slashed his own throat, raised the blade high in the air and sheathed it again before falling down dead.
Sigiriya's halcyon days ended with Kasyapa's death. But the grandeur of this astonishing rock lives on.

Sigiriya - The Frescoes & The Mirror-wall
Nothing in Sri Lanka captures the imagination more than a 200 meter lump of granite that rises starkly above the flat central plains. Sigiriya has it all -- a blood-stained history full of intrigue, astonishing frescos of bare-breasted maidens painted 15 centuries ago, a wall covered in graffiti that is more than 1,000 years old and, to top it all, Asia's oldest surviving landscape garden.

• Sigiriya: The Lion Rock of Sri Lanka ( Dark deeds led to the establishment of Sigiriya as the center of the ancient Sinhalese Kingdom for a period of 18 years in the late 5th Century. )  
• Sigiriya: Eighth wonder of the world ? ( Sigiriya- the lion moun tain. Kasyapa, the controversial King and master builder, wanted to own it and built himself a lofty palace atop the huge rock, rising 200 metres out of the flat, irrigated dry zone landscape. Thousand five hundred years later, Sir Arthur C. Clark mooted the idea that Sigiriya qualifies to be the eighth wonder of the world, ranked closely with the Great Wall of China and the Taj Mahal )

  "The ladies who wear golden chains on their breasts beckon to me. Now I have seen these resplendent ladies, heaven has lost its appeal for me"

• Sigiriya Story - A Different Version (The following story of Kasyapa as obtained from the documents of Ananda-Sthavira, translated by Senarath Paranavitana, differs from the story that many learned as school children; that King Datusena had been plastered alive to a wall by his son Kasyapa who later died in battle facing his brother Moggallana.)
• Sigiriya: The Citadel City of the Playboy King? (King Kasyapa had 500 wives.He was a 5th Century Hugh Hefner. Sigiriya was his Playboy Mansion.The revised version was finally revealed in 1946 inside a great big book of photographs called "Island Ceylon" from Viking Press. There author John Lindsay Opie describes how the German theorist Gauribala, after studying the monument for many years, unraveled the official version for what it really was: a temple of Tantric sex initiation.)
• Sigiriya and its significance : Palace in the sky or Mahayana Buddhist monastery? (Sigiriya was not Kassapa s palace and pleasure garden. Neither was it a fortress nor was it ever the capital city of Sri Lanka. What this site encompasses is a vast Buddhist monastic complex, embracing both Theravada and Mahayana practices, and spanning many centuries -long before and long after Kassapa s reign.)
• Senarat Paranavitana s abode of a god-king Sigiri: Revisited and reviewed (Alaka is on the summit of Mt. Kailasa in the Himalaya range. Since Kassapa s palace is on the summit of Sigiriya rock, it follows that the Rock should be taken as equivalent to Mt. Kailasa.)
• Sigiriya narratives : tellers of stories, writers of histories - (when the Kalavava was being built there was a hermit meditating on the bund. He was a good hermit (arahant) true to the precepts. He was asked to move but he did not. He had achieved the state of meditative trance. The king told his followers to bury him with earth.)
• Sigiriya Art Gallery - (High Quality images of Sigiriya Frescoes)
• Pilgrimage to the Citadel of Sigiriya
• Sigiriya Frescoes: Ladies of the King s court or celestial beings? (Several scholars have interpreted the frescoes in different ways. Dr Ananda Coomaraswamy, the ladies in the frescoes are Apsaras (celestial nymphs) because the figures are cut off at the waists by conventional clouds. Dr Senerat Paranavitana, the respected archaeologist says that the figures represent Lightning Princesses (vijju kumari) and Cloud Damsels (meghalata).)
• Sigiri Graffiti: poetry on the mirror-wall (Just as the symbolism in the frescoes at Sigiriya has baffled the spectators, the graffiti on its mirror-wall have enthraled them down the centuries. The visitors who have inscribed their feelings on the wall have come from all parts of the country and they belong to various strata of society. Such visitors include kings, noblemen, ladies, monks, a novice, a guard and a smith.)